Four Corners of the Earth
2024–2025
Four Corners of the Earth reflects on orientation and interconnectedness, drawing on both geographic and symbolic notions of distance. The work suggests a reach across boundaries, mapping points that connect rather than divide.
Drawing Across Space and Time I — Space and Time Series
2024–2025
Drawing Across Space and Time I opens the Space and Time Series, a project that reflects on continuity, memory, and the shifting coordinates of experience. Using direct gravure through a photopolymer process, the work translates light and gesture into etched permanence, bridging the ephemeral with the enduring.
Material & Process
- Medium: Direct gravure (photopolymer)
- Paper: BFK Rives
- Dimensions: 15" × 22" (series format)
- Edition: Ten hand‑printed impressions, each carrying unique variations from the press
Concept
This piece meditates on inscription across temporal and spatial thresholds. The gravure process itself embodies translation—light into texture, gesture into permanence—mirroring the series’ inquiry into how marks endure, shift, and accumulate across time. Each impression becomes both a record and a passage, charting the mutable relationship between origin and continuum.
Material & Process
- Medium: Direct gravure using photopolymer plates
- Paper: Black BFK Rives
- Dimensions: 15" × 22" (series format)
- Edition: Ten hand‑printed impressions, each uniquely marked by the press
Concept
This piece meditates on mapping expanses and connections. Each impression functions as a compass point, charting the shifting relationship between origin, journey, and destination, while balancing the vastness of the earth with the intimacy of hand‑printed marks.
Witch Head Nebula
2025
Witch Head Nebula draws inspiration from the celestial formation of the same name, translating cosmic imagery into the intimate scale of drawing and photopolymer print. The work captures the interplay of light and shadow, echoing the nebula’s spectral presence and its shifting contours across space.
Material & Process
- Medium: Drawing / Photopolymer gravure
- Paper: BFK Rives
- Dimensions: 12" × 16"
- Edition: Hand‑printed series of 10
Concept
This piece reflects on the act of mapping the immaterial—how vast astronomical phenomena can be inscribed through human gesture and process. Each impression becomes a fragment of the nebula’s spectral form, balancing the expansiveness of the cosmos with the intimacy of hand‑printed marks.
Material & Process
- Medium: Direct gravure using photopolymer plates
- Paper: BFK Rives
- Dimensions: 15" × 22" (series format)
- Edition: Ten hand‑printed impressions, each uniquely marked by the press
Four Corners of the Earth reflects on orientation and interconnectedness, drawing on both geographic and symbolic notions of distance. The work suggests a reach across boundaries, mapping points that connect rather than divide.
DEEP DIVE
2025
DEEP DIVE explores immersion and discovery, its title evoking both descent and reflection. Through the photopolymer process, drawn gestures are translated into etched permanence, capturing the tension between fluid mark‑making and fixed impression.
Material & Process
- Medium: Drawing / Photopolymer gravure
- Paper: BFK Rives, chosen for its subtle texture and ability to hold fine detail
- Dimensions: 12" × 16"
- Edition: Hand‑printed series of 10
Conceptual Notes
This work reflects on the act of plunging beneath the surface—whether of memory, identity, or time. Each impression becomes a record of immersion, balancing clarity with obscurity, and inviting viewers to consider what is revealed when one ventures deeper into unseen spaces.
Midheaven is in Aries — Natal Chart Series
2024–2025
Midheaven is in Aries translates astrological alignment into visual form, reflecting the bold, directional energy of Aries at the Midheaven—an axis tied to vocation, visibility, and aspiration. Through direct gravure, the work inscribes this celestial position into etched permanence, bridging cosmic symbolism with material process.
Material & Process
- Medium: Direct gravure using photopolymer plates
- Paper: BFK Rives
- Dimensions: 15" × 22" (series format)
- Edition: Ten hand‑printed impressions, each uniquely marked by the press
Conceptual Notes
This piece reflects on ambition and orientation. Aries at the Midheaven suggests initiative and drive toward visibility—qualities translated here into etched marks that chart both cosmic influence and personal trajectory. Each impression becomes a map of aspiration, balancing universality with the intimacy of hand‑printed gesture.
WAYFINDER II — BLACK SERIES
2024–2025
WAYFINDER II extends the ongoing investigation into navigation and identity, presented here through the Black Series. The etched surface unfolds as a field of marks that resemble maps or coded pathways, but rendered in a darker register—emphasizing shadow, density, and the unknown.
Material & Process
- Medium: Etching
- Paper: BFK Rives
- Dimensions: 15" × 22" (series standard)
- Edition: Six hand‑printed impressions, each uniquely bearing the subtle variations of the press
Concept
While the Gold Series suggested luminosity and fragility, the Black Series turns toward opacity and endurance. WAYFINDER II asks how one locates themselves when clarity is withheld—when the path is obscured yet still inscribed. Each impression becomes both a chart and a veil, a record of searching within shadow and resilience.
WAYFINDER — GOLD SERIES
2024
WAYFINDER I belongs to the Gold Series, a collection that meditates on orientation, inheritance, and shifting identity. The etched surface functions like a map or constellation, guiding the eye through layered marks that suggest both direction and uncertainty.
Material & Process
- Medium: Etching
- Paper: BFK Rives
- Dimensions: 15" × 22"
- Edition: Six hand‑printed impressions, each uniquely bearing the touch of the press
Concept
The work reflects on the act of navigation—how we locate ourselves across terrains of memory, ritual, and impermanence. The “Gold Series” title underscores the tension between preciousness and fragility, reminding us that wayfinding is less about fixed destinations than about continual re‑orientation.
LODESTAR
2024–2025
LODESTAR serves as a central point of orientation within the series, its title evoking the guiding star used for navigation. Through the direct gravure process, light and gesture are translated into etched permanence, creating an image that functions as both marker and beacon.
Material & Process
- Medium: Direct gravure using photopolymer plates
- Paper: BFK Rives
- Dimensions: 15" × 22" (series format)
- Edition: Ten hand‑printed impressions, each uniquely marked by the press process
Conceptual Notes
The work reflects on constancy and orientation—how a lodestar provides direction across shifting landscapes. Each impression becomes a point of reference, balancing permanence with flux, and inviting reflection on how we navigate by enduring marks within changing contexts.